My piece is based on the best character from 'Superbad', a movie that resonated with me on a very deep level when I saw it back in the day. It is entitled, "Fogell", and is available in an edition of 20 prints.
This was actually the fastest I've ever turned out a poster as I left myself very little time to do a piece for this show. I started sketching out the first layer Friday evening, and had the last poster printed by Tuesday night. With such a tight deadline I tried to keep things very simple and stick to a tight schedule (Saturday: finish pencil drawing and ink first layer, Sunday: draw/ink 2nd and third layers, scan layers and print transparencies, Monday: Gather supplies, coat/expose 3 screens, Tuesday: Cut paper and print posters.)
For the most part I was able to keep to this, although I inevitably ran into problems with my emulsion and wasted almost a full day trying over and over to get decent exposures on my only 3 screens. Anyone that has dealt with silkscreening knows how annoying this is. All these technical issues have made me really appreciate and yearn for the days of my art schooling where I had access to equipment that makes all of these stupid tasks very easy and fast. Instead I have had to work with the very limited resources I do have to replicate these processes. The two machines I miss the most are replaced by embarrassingly lower quality solutions:
So all you art school folks out there, just cherish it okay? CHERISH IT!
"FOGELL"
Thanks for reading.



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